writing

I’ve always been a writer—I just didn’t know that’s what it was. Growing up, I journaled extensively. It was the only way I knew how to process the rush of questions I was always carrying around. But journaling felt too private, and schoolwork was too formulaic. I’d never tried writing for myself, and definitely not beyond myself.

That changed in college. I took a creative writing class, and for the first time, someone told me I had something worth saying. And that’s really the scariest part of writing, isn’t it? Asking yourself, what do I even have to say? And why would anyone care to read it? But once I started, I didn’t want to stop.

Since then, I’ve written short stories, the occasional poem, and now, a novel called Upon a Hill of Broken Shadows. My writing tends to circle around the same questions: what it means to be human, what we owe each other, and the strange tenderness of being alive. I write a lot of introspection. That’s my favorite place to live—inside someone’s thoughts. The messy, unfinished ones. The contradictions. The doubts they don’t say out loud. I like the silence between words, the emotional residue people try to hide. I think that’s where the truth lives.

I’ve leaned into my layered view of the world, and the people I’ve known, the spaces I’ve moved through, all of it has shaped the way I think and write. My work is emotional and intentional—little pieces of me and the people I’ve loved, the things I’m still trying to understand. I don’t always have answers, but writing helps me get closer.

Austin Home Magazine - Summer Issue

Recently published in Austin Home for a poem entitled, My Childhood Home.

Substack

Find me on Substack. Here, all my half-formed thoughts shine. It’s a little messy and a lot introspective but always honest. I write about identity, creativity, memory, longing; just about anything thats been ruminating a bit too long. Some posts are structured, others are just me thinking out loud. It’s become a place where I can write without performance, and I’m grateful to anyone who reads along.

  • East of Eden by John Steinbeck

    A book that cracked something open in me. It showed me the weight of choice, the ache of legacy, and the beauty in flawed people trying their best.

  • Small Things Like These by Claire Keegan

    Quiet, spare, and devastating. A reminder that stillness can carry immense power—and that kindness, however small, matters.

  • Alone With You in the Ether by Olivie Blake

    This book let me live inside someone's head in the most intimate way. I felt seen and unsettled. It made me want to write the thoughts people never say out loud.

  • The Heat Death of the Universe by Pamela Zoline

    A chaotic, beautiful unraveling. It showed me how the ordinary can collapse into the cosmic—and how grief hides in the repetition of everyday life.

  • Crush by Richard Siken

    Urgent, breathless, and raw. These poems taught me that love, obsession, and destruction can live inside a single line—and that writing should make you feel like you’re falling.

Film Photography

Sewing Projects

Short Film